J. P. Harrison

Library

Covers, synopses, and purchase links for my contemporary gothic horror fiction.

The Girl of Grey House—Book Cover

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Last updated 7 Sep 2026

Book No. 1 · Gothic Horror Fiction

The Girl of Grey House

It was an offer they couldn't refuse. For one of them, it was a choice that would carry them to the grave.

Adam and Jiselle are young and keen. Maybe too keen.

Desperate to start their life together, Grey House seems like the answer. A Victorian terraced house, a big garden, clean beyond belief, and impossibly low rent; the perfect place for them. Here, they could save for the house of their dreams.

But the apple tree in the garden taints the air with the pungent aroma of rotting fruits. The mould seeps into the ceiling the second they arrive. The walls rattle, hungry and attentive.

And the housemates develop an unhealthy infatuation with Adam, and an unhealthier-still disdain for Jiselle.

They soon realise the low rent wasn't a bargain. It was a down payment for their sanity.

As the house exhibits its sentience, it begins to claim Jiselle through the vessel of Janet, one of the housemates. Grey House seeks at every turn to deceive Adam, testing whether the Jiselle he knows and the Jiselle he sees are truly the same.

It's easy to enter Grey House. But leaving?
Leaving demands something to be left behind.

★★★★★
"It hooked me from the first chapter and, like Grey House itself, kept reeling me in. He writes with an old-fashioned turn of phrase reminiscent of the classic horror novels by Mary Shelley and Bram Stoker."

— Richard James

★★★★★
"A suitably creepy story with lots of surprise twists, enough to keep you up into the night. The ending had me in tears after going through the trauma of the story with the characters."

— Lynz

★★★★★
"The house is described as a living entity. It breathes. It talks. It remembers. It was unlike anything I've ever read before."

— impulsivebookworm

TBA J. P. Harrison

Book No. 2 · Gothic Horror Fantasy

TBA

When twelve-year-old Mickey finds a dead mouse in a tin of tomatoes, he hears a voice. His father's voice, who died over a year ago.

The voice of his father makes a strange request: bury the mouse in a jar of dirt, beneath the yew tree in the woods behind his house—the very tree where he scattered his father's ashes.

Mickey obeys. Something stirs. A sentinel of another world opens a door.

The ritual grows. Mickey nurtures it; tending to a world that doesn't exist, that shouldn't exist, but feels more real than anything grief has left behind.

How far will he stretch his disbelief before the world he's built quietly swallows the earth beneath him?